On viewing the Tatzu Nishi Columbus Circle project
Tatzu Nishi inverts Surrealism and makes you see a public landmark as if for the first time
Seeing the Ryan Trecartin exhibit at PS1
His tedious stories replicate like fractals in a surfeit of superficially distinct artistic choices
The Times’ Roberta Smith explains Ryan Trecartin’s art
Roberta Smith at least makes a case for Trecartin’s merits, unlike Peter Schjeldahl